Once again Alice in Chains showed their collective greatness when they released this experimental EP in early 1994 (though at over 31 minutes this EP is longer than many classic LPs from the ‘60s).
Sporting a versatility that shocked many listeners upon its release (a bigger shock was its ascension to the #1 Billboard slot upon its release, a first for an EP), Jar Of Flies showed that good things could happen when a group is allowed to “just mess around” in the studio, provided that they have the chemistry and talent to make it work. As with Sap, the band shows off their mellower side here, but again the music retains its dense potency. Acoustic guitars are often the primary musical ingredient, but the band’s increased melodicism makes Jar Of Flies even more impressive than the previous EP, while Jerry Cantrell’s versatile guitar playing, including many a stellar solo, reinforces his standing as a major talent.
This album is a coldly beautiful yet often harrowing experience, and the vulnerable countryish ballad “Don’t Follow” can be seen as Cantrell’s pull no punches take on Staley’s drug addictions (“sleep in sweat the mirrors cold, see my face it’s growin’ old.”). Likewise, the less musically successful “Swing On This” can be seen as Staley’s ominous answer: “let me be, I’m alright, can’t you see I’m just fine.” More convincing is the desolate “Nutshell,” arguably the best song here, on which Staley states “and yet I fight this battle all alone, no one to cry to, no place to call home.”
Other highlights include the weirdly moody, wah wah-infested epic (6:59) “Rotten Apple,” the anthemic “I Stay Away,” a popular radio track on which strings lend a powerful hand, and the groovy, melodic hit single “No Excuses.” Even “Whale & Wasp,” a mere mood enhancing guitar instrumental, seems perfectly in place, as, one album after delivering one of the best heavy metal albums ever, Alice In Chains delivered one of my favorite “chill out” albums of all time.